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  1. OM UNIT & SOREAB - Pressure 3D (EP)

    OM UNIT & SOREAB - Pressure 3D (EP)

    £11.99

    Om Unit pairs with Baroque Sunburst co-capo Soreab for 'Pressure 3D', a four-track EP featuring two stellar flips from Al Wootton and Ottomani Parker. The duo, both known for traversing varying musical landscapes and bold approaches to electronic composition, meet in fruitful common ground, spinning percussive webs and crushing grooves ripe for reinterpretation. Opener "Last Breath" is relentlessly moody and hypnotic, reimagining a dancehall-centric groove with heaving sub-bass pulses, deep into the bass bins for a late-hour pelter. "Tunnel Drift" switches lanes with its distinct tech-stepping 90's throwback style, a forward-thinking take on a nostalgic sound. Learn More
  2. MADISON WILLING - Birth EP (remixes)

    MADISON WILLING - Birth EP (remixes)

    £15.98

    This five-track remix collection weaves together deep bass-driven soundscapes with intricate, emotive detail. The opening track, 'Patient,' merges euphoric melodies with a stunning fusion of bass music and orchestral beauty. Next, Ehua's remix of 'Hold Me A Bit Longer' brings a burst of energy with broken beats, jittery keyboard edits, and a fragmented rhythm that's impossible to ignore. Sinistarr's take on 'Divinity' offers a lush, atmospheric journey, filled with ambient textures that captivate the listener. On Side 2, Synkro, an R&S favourite, reimagines 'Birth' as a downtempo piece, balancing deep bass growls with ethereal vocals and delicate piano flourishes. Finally, the collection closes with Itoa’s remix of 'Prayer,' which builds a slow, hypnotic groove, blending techno elements with inventive twists for a truly captivating sonic experience. Learn More
  3. DARKAI - Atonement / Ogun

    DARKAI - Atonement / Ogun

    £15.49

    Atonement was one of those rare tracks where inspiration struck naturally. After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on. I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me. I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done. Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove. Sometimes, less is more. Learn More

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