Thousand Yard Stare is re:ni's 3rd 12" and her first on re:lax, the label and club-night she runs with Laksa. Following on from Harba, Jurango and Laksa, the EP stays true to the imprint's exploration of emotive high-tempo club records which marry the character and energy of the hardcore continuum with technical precision and slick sound design. Learn More
LIVING 3000 holds the answer LIVING 3000 is the answer mechanised LIVING 3000 is the answer machine you have 1 new voicemail from Living3000 marks the first release from a series of recordings made in London’s cult heart, Total Refreshment Centre, and mixed by Danalogue of The Comet is Coming. Written entirely on Garageband by trombonist/synth player Jack during a year Learn More
Space Drum Meditation is back with a reissue of Four Tusks, a 12-track odyssey of dreaded sonics and trepidatious treks through augmented wildernesses. Their debut album and seventh reissue on the eponymous label, the duo of Eddie Ness and Liem were once fixtures of the house musical landscape at large, yet only with SDM did they turn their hands to demurer experimental soundscapes, informed by the "tribal" gloom and etherics of an electro-auxed rainforest. Throughout Four Tusks, we hear the sleeker, pantherine side of their catalogue, with ritualistic drumming heard well-melded into many a grim, cowled and rattling texture, all glued by the faint but here still oppressive sound of rain, not to mention vapour steaming off the megaphylls.
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The Highly anticipated Shush EP is the debut vinyl release for Surkul, San Francisco based DJ Producer rooted in left-field leaning breakbeat hardcore,
jungle and drum & bass.
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Forest Drive West makes the most intricate sounds in techno if you ask us. There is a meticulous craft in everything he does, but never at the expense of an underlying groove and alluring mood. Masking is his latest EP and the title cut opens with dirty, swampy bass and percolating drum funk. 'Ziggurat' slows down but has real creepiness in the gurgling low end and insistent loops up top. 'Ruins' is a steppy broken beat with more ghoulish sounds swarming around the mix and 'Mobius' shuts down with deft loops that float above sustained chords and keep you on edge. Learn More
Atonement was one of those rare tracks where inspiration struck naturally. After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on. I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me. I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done. Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove. Sometimes, less is more. Learn More
Om Unit pairs with Baroque Sunburst co-capo Soreab for 'Pressure 3D', a four-track EP featuring two stellar flips from Al Wootton and Ottomani Parker. The duo, both known for traversing varying musical landscapes and bold approaches to electronic composition, meet in fruitful common ground, spinning percussive webs and crushing grooves ripe for reinterpretation. Opener "Last Breath" is relentlessly moody and hypnotic, reimagining a dancehall-centric groove with heaving sub-bass pulses, deep into the bass bins for a late-hour pelter. "Tunnel Drift" switches lanes with its distinct tech-stepping 90's throwback style, a forward-thinking take on a nostalgic sound. Learn More