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Scheurneus EP is Vunks latest 12 inch vinyl release on his own legendary imprint Moustache Records. This release is a tribute to the underground scene, no hipster house only pure electro techno acid EBM sounds. This release is part of his 30 year anniversary as a DJ. Produced in his atomic basement Baan Studios downtown Rotterdam. A1 has a crazy funky 303 bassline, 606 hi-hats, 909 toms and more cowbell, vocoder voices and some italo-ish Legowelt-ish melody , this all blends together for this "You Sexy Bassline". When David played it in a B2B with Tom Trago, Tom said are you kidding me, is this your track? A2 "Sorry ain't enough" is a musical tribute to the legendary Emmanuel Top from Belgium. Electro acid and a building up deep track. Expect some extra cut off frequency and resonance. Already played on National Dutch Radio 3FM by the best and funniest radio DJ the Netherlands has to offer; Justin Verkijk. B1 provides a tribute to the EBM wave scene, originally made for a VA compilation that was never released. Now brought to you on Moustache Records because we don't want you to miss this! Expect TR909 hats, vocoders, modular Fenix 4 system and more modular. A hit from the legendary Paradisco Festival in Belgium. B2 is filled to the brim with Flangers, TR 606 Drums and a sharp bassline form the Roland SH101, Davids first and favorite synthesizer ever! He paid 37,50 euro for it back in the days SH101 :) This is a tribute to Robert Armani and Chicago house pumping, jacking and goes up, up, upper, upperst! A pure club banger. Learn More

This second volume further solidifies the convincing narrative created by its best-selling predecessor, heading in a more groove-based direction in places whilst being underpinned by the same sonic narrative that has been enjoyed by many music fans from a variety of different spheres for the past 18 months or so Learn More

June Jazzin has long been a torchbearer for South Africa’s broken deep house movement, crafting music that merges jazz-funk, spiritual energy, and syncopated club grooves. His broken rework of Boogie With Me stands out — dusty yet agile, anchored by a fluid bassline and smoky lounge-style keys. The rest of the record is thoughtfully curated. Lukamusic sets the tone with Dear Women, a track shaped by brushed percussion and heartfelt harmonies. Vencer Cafe follows with Xxx, a minimal, sultry piece soaked in delay and irregular swing. Closing things out, El Payo offers Sunbright — the most classic cut here, led by warm organ lines and a dimly lit atmosphere, yet full of depth. Expertly assembled, this 12" moves fluidly across moods while maintaining a cohesive, soulful thread throughout. Learn More

Chontane returns with Set A Dot, the third release on his label, TANE. Offering a four-track statement of pure rhythmic intensity and intricate groove construction. Known for his precision-driven approach to techno, Chontane continues to refine his sound, fusing raw percussive elements, hypnotic basslines, and evolving sonic textures into club-ready weapons that move both the mind and body. From the outset, 'Magallanes' asserts itself with rolling drum patterns and pulsating synths, locking listeners into its hypnotic rhythm. Hypnotic synth pulses weave through the track, building tension gradually until it breaks into a dense, rhythmic crescendo. Learn More

KVK1000 marks the tenth and final release in the Karlovak series, a project initiated by the Swedish duo in 2013 to showcase their own club-ready productions. This EP encapsulates the essence of their signature sound—deep, hypnotic house with a touch of cosmic allure. The tracks blend elements of classic house with modern sensibilities, offering a fitting conclusion to the series. Following this release, the duo introduced the KRLVK series, expanding the label's scope to include works from other artists. Learn More

With Roza Terenzi and Sleep D on the remix, Alfred Czital & Ayu summon divine frequencies across a debut recalling the finest turn-of-the-millennium trance. Spirits are high as we strive for utopia. Like relics of times passed – a bygone era where the free party reigned supreme – this is a union forged out of a mutual affinity for trippy dancefloor dynamics and live performance. Learn More

GiGi FM's Virgo Space Acid is another mystical techno odyssey. Channelling "2025's energy," she fuses acid textures, reworked 909s and mantra-like vocals across four transformative tracks that range from the hypnotic opener 'Calibration' to the soaring tension of the title track and the emotional dubscape of 'Floresta.' Each cut explores healing, intuition and self-empowerment through sonic minimalism as GiGi refines her craft into a deeply expressive language that merges an urge to move with real moments of introspection. This is not just club music-it's ritual and release from the forefront of experimental techno. Learn More

The second release from ISOTOOP sees Vand venture out solo on three divergent and introspective cuts, each cultivated from the Dutch musician’s live repertoire, and an austere remix from the ever-accurate Italian duo natural.electronic/system tops off the release. Learn More

Dutch producer David Vunk makes a powerful return to his Moustache label with the Backdoor EP, a fierce blend of electro, EBM, acid, and techno, delivered with raw bunker energy. The 12" is packed with gritty, all-analog tracks like the pounding “Purple Light,” the brighter, melodic banger “K2,” and the murky, twisted “Tornado Acid.” “Stop the Insanity” stands out with its twitchy toms, rattling drum machines, and glowing synth layers—all crafted in Vunk’s basement studio by the harbor and polished by none other than Alden Tyrell. These tracks are built to hit hard, but they're laced with narrative depth and emotional detail. Learn More

Scottish producer Milton Jackson returns to Freerange with four club-rooted collaborations that bridge Glasgow's punch with Detroit's finesse. It's a new release that brings Brian Kage on co-production and mastering, HazMat Live on synth duties, and Jon Dixon supplying characteristically sharp keys i and the results are as warm and robust as you'd expect. 'Fire Emoji' opens with a stripped-down, pressure-cooked club tool: all booming low-end, echoing vocal wisps and crisp arrangement. 'The Sunsetters' is the emotional peak, built around a fluid synth solo from HazMat Live and buoyed by plush pads and 909 accents. On the flip, 'Wanna C U' nods to both sides of the Atlantic, fusing US house depth with the swing and snap of UKG. 'The Shine', featuring Jon Dixon, is the most musically rich of the lot i gliding chords, broken grooves and cosmic jazz touches make it a standout closer. Rooted in deep house but flexible in feel, these tracks feel fully lived-in: tactile, soulful and beautifully engineered. Four cuts that do damage without shouting i a smooth burner from a seasoned crew. Learn More

US Born, Manchester-based Avernian inaugurates his newest club-night turned-label venture, with the help of Stenny (Ilian Tape), Tammo Hesselink (Delsin) and Jabes (Timedance). Learn More

TLM kicking off their 50th vinyl only release since 1996 Canadian Mike Perras is back with a new Jazzy House track called Life Goes On. A fantastic Rhodes driven groove that you never want to end. Next up is a track from England’s Craig Bratley head of the Magic Feet record label. Anima is a classic Deep House track featuring Tim Hutton on trumpet. Mark Turner also from England rounds off the A side with his Kevin Hedge (Blaze) tribute affectionately titled Tribute To Hedge. Learn More

Berlin based DJ & producer Cromby returns to his own Potency imprint by way of the Mandela Hall EP; an ode to the Mandela Hall in Belfast where he attended his first raves at Shine and went onto become a resident at 18. Four club ready swedgers melding influences from house, techno, electro & strands of UK club to twist the melon. Learn More

Khadim is a stunning reconfiguration of the Ndagga Rhythm Force sound. The instrumentation is radically pared down. The guitar is gone; the concatenation of sabars; the drum-kit. Each of the four tracks hones in on just one or two drummers; otherwise the sole recorded element is the singing; everything else is programmed. Synths are dialogically locked into the drumming. Tellingly, Ernestus has reached for his beloved Prophet-5, a signature go-to since Basic Channel days, thirty years ago. Texturally, the sound is more dubwise; prickling with effects. There is a new spaciousness, announced at the start by the ambient sounds of Dakar street-life. At the microphone, Mbene Diatta Seck revels in this new openness: mbalax diva, she feelingly turns each of the four songs into a discrete dramatic episode, using different sets of rhetorical techniques. The music throughout is taut, grooving, complex, like before; but more volatile, intuitive and reaching, with turbulent emotional and spiritual expressivity. Learn More

Dom of Dom & Roland, (Roland being a machine), has been a drum and bass visionary since the mid 90’s. He remains the only solo artist to have had award-winning albums on both Metalheadz and Moving Shadow. Dom released his ninth album on Overshadow earlier this year. His collaborations range far and wide and have included the likes of Optical, Amon Tobin, and more recently Noisia. Internationally acclaimed for both his records and performance, his epic brand of music has attracted other pioneers along the way, Art of Noise, David Bowie, Laurent Garnier, Goldie, and Clyde Stubblefield, are just a few of the many loyal fans he has collected over the last 30 years. He still travels the world, is not slowing down, and continues to evolve his music to this day. “Individual” is his new label. Its purpose, in his own words, is “to celebrate the uniqueness and character of individuals or artists, who stand apart from others of the same” Learn More

VIL Records dives deeper into the 2000s sound with a fresh release of previously unreleased material from the duo AUT ZEBEL (A. Vadala’ & E. Fatovich). Unearthed from early-2000s archives and brought to life through the executive production of Gianluca Marcelli (Digging Deeper Music, VIL Records, Sounds Better), this project blends old roots with new energy. The seasoned producers deliver a top-tier mix of electro house, tech-house, and progressive house, capturing the spirit of the early 2000s dance scene. As always, limited copies—don’t sleep on this one Learn More

Spain’s ORBE makes a return to his self-titled label with another collection of immersive, linear techno that digs deep into altered states. Known for his ability to bend space and perception through sound, he delivers four tracks that transport the listener far beyond the dancefloor. Hypernova launches with urgency—its hazy synth trails and crackling textures riding atop thick, distorted kicks. Echo Drift ventures into more cosmic territory, drifting through an interstellar soundscape rich with sci-fi nuances. That futuristic thread continues on the Mills-inspired Halo, before the EP closes with Infinite Flux—a standout cut that fuses trippy synth modulations with punchy, jacked-up percussion. This is techno designed for total immersion Learn More

New Jungle 4 tracker on Sub Code. Learn More

Quadrant – Infinition / Hyperprism (BC-QD) stands as a pivotal release in Basic Channel's catalog, marking a significant evolution in their dub techno journey. Originally released in 1993 on Carl Craig's Planet E label, this 12" single showcases the duo's early foray into the genre, blending hypnotic rhythms with atmospheric textures. Learn More

Norm Talley’s Upstairs Asylum nears its 20th release with another dose of deep, understated house. Black Eyes leads the charge, opening with the laid-back, groove-laden “Gerry The Fish Whisperer,” followed by the raw, percussive drive of “Valley Of Sharks.” “Soul Fish” rides on dusty kicks and subtle shakers, while “The People Want Hydro” closes with swirling pads and dreamy textures that lock in both body and mind. Learn More