Search results for 'The'

TLM kicking off their 50th vinyl only release since 1996 Canadian Mike Perras is back with a new Jazzy House track called Life Goes On. A fantastic Rhodes driven groove that you never want to end. Next up is a track from England’s Craig Bratley head of the Magic Feet record label. Anima is a classic Deep House track featuring Tim Hutton on trumpet. Mark Turner also from England rounds off the A side with his Kevin Hedge (Blaze) tribute affectionately titled Tribute To Hedge. Learn More

Jim Coles’s fifth instalment of his best-selling ‘Acid Dub Studies’ series arrives in the form of the third set of original works exploring the infectious sound of the 303 bass-line in a dubwise setting. The album takes in traditional dub mixing approaches in a digital and roots/digi-dub style whilst also making space for more electronic and ambient processes to close the project. Learn More

Unfiltered, untamed, and primed to disrupt – Deadbeat Records is back with a hard-hitting Various Artists release packed with heavyweight breakbeats built to ignite the dancefloor. Strictly limited to 150 copies. Learn More

Scottish producer Milton Jackson returns to Freerange with four club-rooted collaborations that bridge Glasgow's punch with Detroit's finesse. It's a new release that brings Brian Kage on co-production and mastering, HazMat Live on synth duties, and Jon Dixon supplying characteristically sharp keys i and the results are as warm and robust as you'd expect. 'Fire Emoji' opens with a stripped-down, pressure-cooked club tool: all booming low-end, echoing vocal wisps and crisp arrangement. 'The Sunsetters' is the emotional peak, built around a fluid synth solo from HazMat Live and buoyed by plush pads and 909 accents. On the flip, 'Wanna C U' nods to both sides of the Atlantic, fusing US house depth with the swing and snap of UKG. 'The Shine', featuring Jon Dixon, is the most musically rich of the lot i gliding chords, broken grooves and cosmic jazz touches make it a standout closer. Rooted in deep house but flexible in feel, these tracks feel fully lived-in: tactile, soulful and beautifully engineered. Four cuts that do damage without shouting i a smooth burner from a seasoned crew. Learn More

Berlin based DJ & producer Cromby returns to his own Potency imprint by way of the Mandela Hall EP; an ode to the Mandela Hall in Belfast where he attended his first raves at Shine and went onto become a resident at 18. Four club ready swedgers melding influences from house, techno, electro & strands of UK club to twist the melon. Learn More

When it comes to dub techno, few names carry the weight of Basic Channel—the undisputed pioneers of the genre. While new releases from the legendary German duo have been few and far between in recent years, they've delved into their archives to unearth a gem: "Q-Loop." Previously only available on the BCD CD compilation, this sought-after track is finally making its debut on vinyl—essential for any serious Basic Channel collector. Clocking in at a mesmerizing 14 minutes, the A-side is a deep, immersive journey. On the B-side, fans are treated to the fluid textures of "Q1.2" and the ethereal atmosphere of "Mutism"—both appearing on vinyl for the first time. Learn More

LNS & DJ Sotofett drop a fierce two-tracker built for heavy warehouse rotation. The A-side delivers raw, bass-driven energy with jagged rhythms and a euphoric halftime breakdown. On the flip, Sotofett’s “Buzzy Breaker” evolves from minimal dub into a breakbeat-heavy trip with jungle flair. Both tracks are hypnotic, high-impact, and crafted for serious system pressure. Learn More

Scheurneus EP is Vunks latest 12 inch vinyl release on his own legendary imprint Moustache Records. This release is a tribute to the underground scene, no hipster house only pure electro techno acid EBM sounds. This release is part of his 30 year anniversary as a DJ. Produced in his atomic basement Baan Studios downtown Rotterdam. A1 has a crazy funky 303 bassline, 606 hi-hats, 909 toms and more cowbell, vocoder voices and some italo-ish Legowelt-ish melody , this all blends together for this "You Sexy Bassline". When David played it in a B2B with Tom Trago, Tom said are you kidding me, is this your track? A2 "Sorry ain't enough" is a musical tribute to the legendary Emmanuel Top from Belgium. Electro acid and a building up deep track. Expect some extra cut off frequency and resonance. Already played on National Dutch Radio 3FM by the best and funniest radio DJ the Netherlands has to offer; Justin Verkijk. B1 provides a tribute to the EBM wave scene, originally made for a VA compilation that was never released. Now brought to you on Moustache Records because we don't want you to miss this! Expect TR909 hats, vocoders, modular Fenix 4 system and more modular. A hit from the legendary Paradisco Festival in Belgium. B2 is filled to the brim with Flangers, TR 606 Drums and a sharp bassline form the Roland SH101, Davids first and favorite synthesizer ever! He paid 37,50 euro for it back in the days SH101 :) This is a tribute to Robert Armani and Chicago house pumping, jacking and goes up, up, upper, upperst! A pure club banger. Learn More

The second release on Afalinas sees Olekhar channeling house textures through tech-funk rhythms, accented by acid and electro influences. A fresh take for the dancefloor. Learn More

My debut EP on Rupture LDN, ‘Shades of Rave Vol 1’ was created with my love of raving at its core. I love arriving early doors when the anticipation of the night ahead is at its peak, feeling like we’re on the edge of something new and thrilling. I love dancing when we’re deep in session, everyone has come undone and the power hours are in full effect - the energy is frenzied and wild. I love the golden hours towards the end of the night when the crowd has thinned and we’re exhausted but energised, physically empty but spiritually full. Learn More

An electrifying, high-octane ride through pulsating techno soundscapes. Side A launches with Surface Tension — a fast-paced, hard-hitting track driven by relentless rhythms that demand attention. Next up, 22-44 delivers a dark, sci-fi edge with rapid beats and cosmic textures that transport you to another dimension. Side B begins with Eyes Adjust To The Dark, a brooding, atmospheric slow-burner that could easily score a tense sci-fi thriller. Its intricate, evolving layers draw you in deeper with every turn. Closing out the record is Kviten, a percussive, high-intensity track that captures the sensation of hurtling through space at full speed. Learn More

Since at least 2024, by our reckoning, shells have been having something of a moment in electronic music. Why, exactly, is anyone’s guess. Maybe it’s the unsettling feel of nautilus palps or the spiraling segments of ancient fossils—forms that seem to intuit the mechanized pulse of techno. Birmingham linchpin Surgeon (Anthony Child) taps into this fascination, transforming chirping sonic opercula into filter-fed 4/4 Borg-like entities. Despite the thematic suggestion, Child keeps his setup minimal: “For me, it's an interesting experience returning to old techniques again after 30 years,” he says. The result is a stripped-back, live-style set—eight tracks recorded in single takes. Only "Dying" breaks from the beat-driven mold, offering a morose, mantra-like soundscape. Learn More

The Dutch electro-funk heavyweight returns, kicking things off with a remastered reissue of his 2000 classic I Don't Care, now landing on his freshly launched label, Dektreks. Learn More

retty Sneaky is a mysterious project shrouded in anonymity, known mostly for its banana peel logo and a series of self-released white label 12" EPs. This latest release arrives via Marionette and features Marseille-based artist Norman Levy, aka Koldd, marking his third collaboration with the project. The result is a captivating blend of mellow tones, tranquil atmospheres, and delicate bird calls—music that unfolds in slow motion, perfect for quiet, reflective moments. We’re thoroughly enjoying it. Learn More

Medellin producer Marck D (Charlie Escobar) is a new Planet Rhythm poster child, though his digital releasing repertoire is nonetheless colossal even without them, his many affairs including Illegal Alien, Phobiq and IAMT. Shocker it is, then, that 'Dune' is Escobar's first ever 12"; the record brings ultraphonic chord slurries ('Behind The Chord') and federated, intergalactic-dynastic codes of techno honour ('Atreides'), riding the sand-wormed thematics of the Frank Herbert sci-fi classic. 1. Behind The Chord / 2. Atreides / 3. Dune / 4. House Planet. Learn More

Originally released in 1997 as a CD-only compilation, Subbase Sampler is finally available on double vinyl for the first time ever! This iconic collection captures the energy and evolution of the jungle and drum & bass scene, featuring a heavyweight lineup of genre pioneers. Learn More

VIL Records dives deeper into the 2000s sound with a fresh release of previously unreleased material from the duo AUT ZEBEL (A. Vadala’ & E. Fatovich). Unearthed from early-2000s archives and brought to life through the executive production of Gianluca Marcelli (Digging Deeper Music, VIL Records, Sounds Better), this project blends old roots with new energy. The seasoned producers deliver a top-tier mix of electro house, tech-house, and progressive house, capturing the spirit of the early 2000s dance scene. As always, limited copies—don’t sleep on this one Learn More

Sam KDC presents the first Auxiliary 12" EP of 2022, entitled Shedding Skin, a varied four-track odyssey that goes far and beyond the conventions of techno and 170 bass music. Learn More

Khadim is a stunning reconfiguration of the Ndagga Rhythm Force sound. The instrumentation is radically pared down. The guitar is gone; the concatenation of sabars; the drum-kit. Each of the four tracks hones in on just one or two drummers; otherwise the sole recorded element is the singing; everything else is programmed. Synths are dialogically locked into the drumming. Tellingly, Ernestus has reached for his beloved Prophet-5, a signature go-to since Basic Channel days, thirty years ago. Texturally, the sound is more dubwise; prickling with effects. There is a new spaciousness, announced at the start by the ambient sounds of Dakar street-life. At the microphone, Mbene Diatta Seck revels in this new openness: mbalax diva, she feelingly turns each of the four songs into a discrete dramatic episode, using different sets of rhetorical techniques. The music throughout is taut, grooving, complex, like before; but more volatile, intuitive and reaching, with turbulent emotional and spiritual expressivity. Learn More