Search results for 'Green day'

Issue Two of SEEN focuses on decolonising electronic music and features photography from Alina Akbar and writing from Iyunoluwanimi Yemi-Shodimu, Amelia Fearon, Dhruva Balram, Jessica Rogers, Jad Ghazali, Dr Zakiya Mckenzie, Sashwati Mira Sengupta and Stephanie Ewurama (aka SCAPA). Articles include a project linking Mancunian and Palestinian artists, an interview with AFRODEUTSCHE, the ethics of sampling and a reggae orchestra led by a visually impaired Jamaican. Long reads include a look at a Ghanaian festival, a thinkpiece on solidarity and protest sounds in South Asia and the diaspora and the role of social media platforms in framing beauty standards in electronic music. A review of our panel at WOMEX in October 2024 is featured too. For the launch contributors Amelia Fearon, Jessica Rogers, Sashwati Mira Sengupta and Iyunoluwanimi Yemi-Shodimu will be in conversation with the SEEN founders, exploring the themes of the latest issue. The night will feature a DJ set from Taxi Cab Industries (who also designed the issue) with the magazine on sale to the public. No tickets are required for the launch at 7:30pm. Learn More

Purity was written in 2021 and was one of a few tracks I had completed, but remained unreleased. In 2022 I played a show for Dissonance in Bristol, and consequently played Purity, to which George (Artificial Red) contacted me the following day about this particular track I played, and I told him it was a piece called Purity. He really liked it and asked if he could remix it, and I agreed. Not long after he sent over the remix which I liked, but at that point I wasn't too sure where we could release them, so they remained unreleased for a time. In the latter part of 2023 we both played a show together and he played the remix, which caught my attention as I hadn't heard it in a while, and that was my first time hearing it on bigger speakers and I thought it sounded great! We had talked about sending it to labels so I sent them to one or two, but nothing Learn More