Bringing together over 50 of Jamaica's greatest session musicians, whose work spans from the birth of reggae in the late 1960s until today, Roots Architects is the largest gathering of Jamaican musical talent on one all-instrumental album. Never before have so many veterans, who helped create the immortal rhythms that made reggae internationally successful, been assembled to play on new material without vocals. This album aims to celebrate and pay tribute to the unsung heroes of reggae music: the rhythm builders or Roots Architects. Learn More
Issue Two of SEEN focuses on decolonising electronic music and features photography from Alina Akbar and writing from Iyunoluwanimi Yemi-Shodimu, Amelia Fearon, Dhruva Balram, Jessica Rogers, Jad Ghazali, Dr Zakiya Mckenzie, Sashwati Mira Sengupta and Stephanie Ewurama (aka SCAPA). Articles include a project linking Mancunian and Palestinian artists, an interview with AFRODEUTSCHE, the ethics of sampling and a reggae orchestra led by a visually impaired Jamaican. Long reads include a look at a Ghanaian festival, a thinkpiece on solidarity and protest sounds in South Asia and the diaspora and the role of social media platforms in framing beauty standards in electronic music. A review of our panel at WOMEX in October 2024 is featured too. For the launch contributors Amelia Fearon, Jessica Rogers, Sashwati Mira Sengupta and Iyunoluwanimi Yemi-Shodimu will be in conversation with the SEEN founders, exploring the themes of the latest issue. The night will feature a DJ set from Taxi Cab Industries (who also designed the issue) with the magazine on sale to the public. No tickets are required for the launch at 7:30pm. Learn More
The 2025 release, Obscured By Version, is a fresh collection of remixes from Dub Syndicate’s iconic era, spanning from 1989 to 1996. These remixes are part of a new box set that highlights this significant period in the band's history. Adrian Sherwood, the collective’s mastermind, returned to the original tapes from sessions of renowned albums like Stoned Immaculate and Echomania. He was joined by Cyrus Richard of the Dub Asante Band, who contributed new overdubs to enhance the sound.
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For this Studio One release we return to the roots of Reggae music-The Soundsystem. Throughout the late 1950s and 1960s Soundsystems played throughout the city of Kingston, Jamaica. As well as Sir Coxsone's Downbeat Soundsystem other famous Soundsystem operators included Duke Reid (the Trojan), Prince Buster, Tom the Great and King Edwards. Learn More
Strike the Balance is another standout Dub Syndicate set featuring vocal contributions from reggae legend Bim Sherman on a cover of Lloyd & Devon's 'Cuss Cuss' and Shara Nelson, whose work with Massive Attack on Blue Lines was soon to make her a household name, but here offers her rendition of Serge Gainsbourg's 'Je T'aime.' Released in 1989, this album marked a significant moment in the evolution of Dub Syndicate and coincided with the group's emergence as a touring unit. The album blends reggae, dub and experimental sounds into a distinctive, genre-defying style. A welcome reissue.
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Following a string of releases on his own Dub Junction label and two standout singles on the SUPERCHIP imprint, Simma now unveils his debut album: SIMMA ENTERS THE GAME. Learn More
LIVING 3000 holds the answer LIVING 3000 is the answer mechanised LIVING 3000 is the answer machine you have 1 new voicemail from Living3000 marks the first release from a series of recordings made in London’s cult heart, Total Refreshment Centre, and mixed by Danalogue of The Comet is Coming. Written entirely on Garageband by trombonist/synth player Jack during a year Learn More
Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable. Learn More