Search results for 'Green day'
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HARRY LIGHT / AL BRADLEY - Dragon Parade 001 EP
£14.48The debut 12" on 3am's sister label, two acid-infused cuts from Harry Light & two dubby-infused cuts from Al Bradley. Get involved! Learn More -
ORIGIN UNKNOWN - The Touch / Valley Of The Shadows EP (Remixes)
£14.99Out of stock
As one half of Origin Unknown alongside Andy C, Ant Miles unearthed the original floppy Akai sample disks from 1993 and managed to load them back into his Akai sampler. His goal was to not only replicate the sound and vibe of the original A-side of RAMM004, but also to refine and enhance all its elements, including parts of the ‘Part 2 mix’ that was released later in ’93. Learn More -
SEEN Magazine Issue Two
£15.00Issue Two of SEEN focuses on decolonising electronic music and features photography from Alina Akbar and writing from Iyunoluwanimi Yemi-Shodimu, Amelia Fearon, Dhruva Balram, Jessica Rogers, Jad Ghazali, Dr Zakiya Mckenzie, Sashwati Mira Sengupta and Stephanie Ewurama (aka SCAPA). Articles include a project linking Mancunian and Palestinian artists, an interview with AFRODEUTSCHE, the ethics of sampling and a reggae orchestra led by a visually impaired Jamaican. Long reads include a look at a Ghanaian festival, a thinkpiece on solidarity and protest sounds in South Asia and the diaspora and the role of social media platforms in framing beauty standards in electronic music. A review of our panel at WOMEX in October 2024 is featured too. For the launch contributors Amelia Fearon, Jessica Rogers, Sashwati Mira Sengupta and Iyunoluwanimi Yemi-Shodimu will be in conversation with the SEEN founders, exploring the themes of the latest issue. The night will feature a DJ set from Taxi Cab Industries (who also designed the issue) with the magazine on sale to the public. No tickets are required for the launch at 7:30pm. Learn More -
DARKAI - Atonement / Ogun
£15.49Atonement was one of those rare tracks where inspiration struck naturally. After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on. I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me. I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done. Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove. Sometimes, less is more. Learn More
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