Search results for 'guns and roses'

Timeless is regularly cited as one of the greatest dance music albums ever made., a Dark Side of the Moon for the rave generation. As Mixmag said back in 1995 "Timeless is a record that couldn’t have been made if it wasn’t for the party, the MDMA, the noise and the rage. Timeless tells you that you can’t ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings." Learn More

Atonement was one of those rare tracks where inspiration struck naturally. After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on. I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me. I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done. Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove. Sometimes, less is more. Learn More

Forest On Stasys takes the plunge here and launches a new label, Aura Sonora, which debuts with a hugely limited and high-quality new 12" from the boss. The imprint will be "a platform designed for sound experimentation" and the first missive backs that up with a great blend of drum & bass, half-time and techno. 'Magnetismo' is a prickly opener with slippery rhythms underpinned by bold bass. 'Domo' is a darker sound with menacing low ends and prickly percussive patterns while 'Sideral' is another late-night prowler with low sling sounds, eerie atmospheres and a real sense of futurism. A great start to life for Aura Sonora Learn More

The Highly anticipated Shush EP is the debut vinyl release for Surkul, San Francisco based DJ Producer rooted in left-field leaning breakbeat hardcore, jungle and drum & bass. Learn More

Space Drum Meditation is back with a reissue of Four Tusks, a 12-track odyssey of dreaded sonics and trepidatious treks through augmented wildernesses. Their debut album and seventh reissue on the eponymous label, the duo of Eddie Ness and Liem were once fixtures of the house musical landscape at large, yet only with SDM did they turn their hands to demurer experimental soundscapes, informed by the "tribal" gloom and etherics of an electro-auxed rainforest. Throughout Four Tusks, we hear the sleeker, pantherine side of their catalogue, with ritualistic drumming heard well-melded into many a grim, cowled and rattling texture, all glued by the faint but here still oppressive sound of rain, not to mention vapour steaming off the megaphylls. Learn More

The dark lord of the dance returns to Sneaker with the 'No Favours' EP, another ominous set of non-conformist shellers rough-cut from obsidian and set in steel. We first broadcast our love of Christoph de Babalon's distinctively destructive, hard-boiled hardcore via the Evident Ware compilation back in 2020, but a longer release has been an ambition of ours ever since. Learn More

Massive jazzdance and UK bass fusions on the new e-glowup from Eglo (though the record is also released physically). Celebrating 15 years of the nominal "post-dubstep" label, this limited 12" EP hears four exclusive, unreleased tracks from an upcoming label-definer compilation, the third in a series. Born from the basement of Plastic People, the pressure has remained continuously on Eglo to keep the same foment of bass musical innovation that the club nurtured alive. Plastic People is a routinised object of nostalgia, and it is often deemed the last proper place for innovation in bass music before austerity Britain militated against it. Zed Bias's remix of Chunky's 'Dancing On Tables' with Metrodome - and the deep, bruk-inspired track, 'Minerals,' from Liverpool's rising star Sticky Dub - both prove this assessment totally wrong. Genius thrives. On the flip, we've also house legend Giles Smith (formerly of Secretsundaze) delivering fresh material, as well as label boss Alexander Nut making his official debut with the lo-fi electro house track 'Arcade Fun Pt. 1.' The full compilation, featuring artists like Shy One, Steve Spacek, and Fatima, drops in April. Learn More

LIVING 3000 holds the answer LIVING 3000 is the answer mechanised LIVING 3000 is the answer machine you have 1 new voicemail from Living3000​ marks the first release from a series of recordings made in London’s cult heart, ​Total Refreshment Centre​, and mixed by ​Danalogue​ of ​The Comet is Coming​. Written entirely on Garageband by trombonist/synth player Jack during a year Learn More

Following a string of releases on his own Dub Junction label and two standout singles on the SUPERCHIP imprint, Simma now unveils his debut album: SIMMA ENTERS THE GAME. Learn More

What started as an experiment, born in the stillness of the early months of 2020, Metalheadz and SB81 are proud to present ‘B292’. The largest body of music ever released by Metalheadz, ‘B292’ is made up of 29 tracks across 2 defined parts with a strong emphasis on old skool influences. It’s SB81’s experiences as a youth that give him a real understanding of this era, something that cannot be replicated and where authenticity always stands tall. Learn More

Unknown - Untitled Draws On The White Label Concept, Initially Withholding Details About The Producers Behind The Tracks And Leaving Listeners To Draw Their Own Conclusions About What They’re Hearing. The Innovative Concept Record Label Is Back With Its Eighth Release, Delivering An Expansive Six-Track Vinyl That Pushes The Limits Of Techno As We Know It, Offering A Glimpse Into The Ever-Evolving World Of Sound Design And Sonic Landscapes. With Online Personas Often Eclipsing The Focus On Music Itself, Here Lies A Return To Form. Learn More

Beatrice M's amusingly entitled Bait label has in fact become exactly that - very desirable to those who know. Its latest is a four tracker that serves as a taster of a forthcoming digital album by Trois-Quarts Taxi System. Behind the moniker is Eloi Petillon, a versatile producer, DJ and live act who has a knack for blurring genre lines. On this one, they mix up elements of dubstep, techno and d&b into soundscapes that are cerebral, hypnotic and psychedelic. Each one is made from futuristic sound design, field recordings and intricate polyrhythms: 'Metamorphism' warped, linear, deft and brilliant deep techno. 'Coma' is more busy, 'Fraction' has wispy synths and a sparse soundscape and 'Spectre' is a fizzy, skeletal sound that tickles the brain. Learn More

The legendary Reading-based jungle label, Basement Records, has released two new remixes of Top Buzz’s 1993 bass-driven darkside anthem, made all the more meaningful following the tragic passing of TB (Jason Kaye) in 1993. The Swankout Legacy is the more distinctly junglist of the two, initially transforming the original’s relentless four-to-the-floor rhythm into a swirling Amen storm, layering stretched-out vocals and apocalyptic horns, before reintroducing the pounding 4/4 beat just as you thought it might have disappeared. The Swankout Legacy Vocal Mix, however, adds a hefty dose of reggae to the heavy, dancefloor-dominating hardcore beats, with such intense results that you might think the United Nations should get involved. A fitting, fiery tribute. Learn More

Timeless is regularly cited as one of the greatest dance music albums ever made., a Dark Side of the Moon for the rave generation. As Mixmag said back in 1995 "Timeless is a record that couldn’t have been made if it wasn’t for the party, the MDMA, the noise and the rage. Timeless tells you that you can’t ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings." Learn More

Fully Equipped Beach Wanderers on 180g heavyweight vinyl. Learn More

This five-track remix collection weaves together deep bass-driven soundscapes with intricate, emotive detail. The opening track, 'Patient,' merges euphoric melodies with a stunning fusion of bass music and orchestral beauty. Next, Ehua's remix of 'Hold Me A Bit Longer' brings a burst of energy with broken beats, jittery keyboard edits, and a fragmented rhythm that's impossible to ignore. Sinistarr's take on 'Divinity' offers a lush, atmospheric journey, filled with ambient textures that captivate the listener. On Side 2, Synkro, an R&S favourite, reimagines 'Birth' as a downtempo piece, balancing deep bass growls with ethereal vocals and delicate piano flourishes. Finally, the collection closes with Itoa’s remix of 'Prayer,' which builds a slow, hypnotic groove, blending techno elements with inventive twists for a truly captivating sonic experience. Learn More

Annie Hall returns to Sheffield's Central Processing Unit label with an EP entitled Memories That Never Happened. This record represents the producer's third time on CPU after 2016's Tenured Positionsand 2020's Fum, and it is also the latest release in a busy couple of years for Annie Hall which have also seen her drop EPs on 20:20 Vision, Orson Records and Random Island. The momentum Annie Hall has built up in recent times carries through to a dynamic collection of productions which bring enough heft in the beats to keep the dancefloor happy while also including all manner of details in the production. Learn More

As one half of Origin Unknown alongside Andy C, Ant Miles unearthed the original floppy Akai sample disks from 1993 and managed to load them back into his Akai sampler. His goal was to not only replicate the sound and vibe of the original A-side of RAMM004, but also to refine and enhance all its elements, including parts of the ‘Part 2 mix’ that was released later in ’93. Learn More

Thousand Yard Stare is re:ni's 3rd 12" and her first on re:lax, the label and club-night she runs with Laksa. Following on from Harba, Jurango and Laksa, the EP stays true to the imprint's exploration of emotive high-tempo club records which marry the character and energy of the hardcore continuum with technical precision and slick sound design. Learn More

Nasty instrumental grime from legends Trends, P Jam and Silas. Learn More

What started as an experiment, born in the stillness of the early months of 2020, Metalheadz and SB81 are proud to present ‘B292’. The largest body of music ever released by Metalheadz, ‘B292’ is made up of 29 tracks across 2 defined parts with a strong emphasis on old skool influences. It’s SB81’s experiences as a youth that give him a real understanding of this era, something that cannot be replicated and where authenticity always stands tall. Learn More

Get ready for some proper breakbeat tackle as Oil Gang reprobate Boylan recruits the troops for a heavyweight apocalyptic 140 BPM showdown. With the likes of Slimzee, Trends, D.O.K, U.S.F and Youngsta all on side, the mood is tense and the textures are rough. Imagine that sci-fi sternness of Virus, that old school rolling breakbeat bass of Koma & Bones or Evil 9 complete with the more modern neck snap abrasion of acts like Former or Coido and you're in the right rave. Mean, gritty and unapologetic. Learn More

"Gallows" is our third solo EP for Artikal Music, created in the middle of 2020. It started as a collection of 140bpm tracks exploring different styles, themes, and sound palettes, but with the aim of making sure they all flowed together as a cohesive EP Learn More

To celebrate 3 years since the release of Andrew Ashong & Kaidi Tatham’s now classic Sankofa Season, Kitto Records invite some of their favourite artists to remix and reimagine the music. The result is an all-star line up that crosses genre and generations to produce a truly cracking EP, one that is clearly rooted in the original music while also moving into new, unexpected territories. Whether it is dubstep pioneer Mala bringing a heavy and sophisticated twist to ‘Low Ceilings’, or breakthrough post-punk artist Wu-Lu flipping ‘Washed in You’ into a completely new realm, complete with a captivating feature from the one and only Lex Learn More

Enhancer Dub EP includes 4 tracks playing carefully with elements of Afrobeat, Dub & Techno. As a rare groove connoisseur and vinyl collector, Didier dlb has been delving into essential wax for almost 3 decades, navigating the underground music scene with a disregard for genre boundaries. Forget marketing hype – this is about the scientific exploration of sound, and an existential love for rave culture. In 1999, armed with a basic setup featuring an Atari, Akai MPC 2000, Yamaha DX, and Korg 770, he ventured into music production. No flashy equipment, just a raw passion for sonic experimentation and analog sound. As a result, releases on Sonar Kollektiv, Get Physical, Klasse Recordings & Rotary Cocktail followed. Didier dlb's undying dedication to exploration is reflected in his collaborations, residencies, and releases. He doesn't chase the limelight, instead immersing himself in the science of sound, shaping his own sonic universe. This is the story of an artist who has been shaping the underground landscape with a commitment to the art form. Learn More

The Bait label headed up by Beatrice M looks to Conzi for a fresh new 12" that builds on the label's superb early momentum. It delves deep into timeless 140 bpm sounds with opener 'AU2' layering up the percussion over fathom-deep beats and aquatic dub pads. It's a heady one for late night rolling and 'Drakar' then brings more bright melodies but similar icy beats and organic perc. An N:in remix of 'AU2' makes things more skittish and kinetic and broken, then and Ambit remix sets down with low-end pressure. These are fresh sounds that bring new direction to classic dubstep. Learn More