Issue Two of SEEN focuses on decolonising electronic music and features photography from Alina Akbar and writing from Iyunoluwanimi Yemi-Shodimu, Amelia Fearon, Dhruva Balram, Jessica Rogers, Jad Ghazali, Dr Zakiya Mckenzie, Sashwati Mira Sengupta and Stephanie Ewurama (aka SCAPA). Articles include a project linking Mancunian and Palestinian artists, an interview with AFRODEUTSCHE, the ethics of sampling and a reggae orchestra led by a visually impaired Jamaican. Long reads include a look at a Ghanaian festival, a thinkpiece on solidarity and protest sounds in South Asia and the diaspora and the role of social media platforms in framing beauty standards in electronic music. A review of our panel at WOMEX in October 2024 is featured too. For the launch contributors Amelia Fearon, Jessica Rogers, Sashwati Mira Sengupta and Iyunoluwanimi Yemi-Shodimu will be in conversation with the SEEN founders, exploring the themes of the latest issue. The night will feature a DJ set from Taxi Cab Industries (who also designed the issue) with the magazine on sale to the public. No tickets are required for the launch at 7:30pm. Learn More
June Jazzin has long been a torchbearer for South Africa’s broken deep house movement, crafting music that merges jazz-funk, spiritual energy, and syncopated club grooves. His broken rework of Boogie With Me stands out — dusty yet agile, anchored by a fluid bassline and smoky lounge-style keys. The rest of the record is thoughtfully curated. Lukamusic sets the tone with Dear Women, a track shaped by brushed percussion and heartfelt harmonies. Vencer Cafe follows with Xxx, a minimal, sultry piece soaked in delay and irregular swing. Closing things out, El Payo offers Sunbright — the most classic cut here, led by warm organ lines and a dimly lit atmosphere, yet full of depth. Expertly assembled, this 12" moves fluidly across moods while maintaining a cohesive, soulful thread throughout. Learn More