2025 kicks off a new year with a new artist for Klasse Wrecks, it is with great pleasure we welcome Glasgow based DJ and producer Stevie Cox to our ranks. Stevie’s second full length release is one of deep cerebral breaks and evolving technicoloured techno, 4 tracks that surprisingly weave an already defined and recognisable sound from the young artist.
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The American female vocal trio First Choice released their rendition of 'Love and Happiness' in 1973. The track is a cover of Al Green's original released just a year earlier in 1972, but First Choice's version was perhaps helped along the way by a peak case of nominative determinism: for us, theirs is the first choice. Featured on their debut album, Armed and Extremely Dangerous, it stood out on the Philly soul girl gang's record as one of the records most propitious to sampling by house and techno musicians, such as Todd Terry and Jungle Brothers. But this time, the legacy of this preceptive soulful-house interplay is honoured by a newly reissued remix by the mysterious but titanic Chicago producer Ron Hardy, whose inclusion on the record is the real star here. Hardy's signature reel-to-reel fuzzes and presence-bled hues effect recollections of a pre-DAW production setup, and the resonances of dub (woodblocks, four-tone hooks, burly basslines) nest the original Al Green vocal nicely.
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T4T LUV NRG returns with a new release from Rrose, an artist who has been broadcasting transmissions of esoteric minimalism to the worldwide underground for nearly three decades. Stretching across eras and intentionalities within their work, they invite listeners to inhabit unfamiliar realms of phenomena in the dance. Influenced by the surrealist whimsy of Marcel Duchamp & fellow provocateurs in the Dada movement; the artist as self, subject, and instrument is disassembled, embraced, & reassembled back again into an enticingly abstract form under the sonic melding of experiential sound & techno as the medium.
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Fear of Dog is back with 5 tracks ready for dancefloor. Controllo 93, this mysterious producer, makes his debut for the first time on FOD Records. Get ready for a journey into dark lands, where gloomy sounds and psychedelic chorus will accompany every tracks. The key element of this release? Bleep sounds that will elevate the whole experience.
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‘Hello World’ is an audio catalogue of personal experiences, thoughts and feelings, shared with honesty and curiosity for the human condition. Matt crafts emotive and uplifting compositions denoting a tender illustration of the human experience, finding and celebrating the simple and beautiful moments of life. Learn More
Atonement was one of those rare tracks where inspiration struck naturally. After a long day of corporate nonsense, I sat down in the evening to watch a certain series with my wife when the scene sampled in the intro came on. I wasn't planning to make music that night, but the mood and tension of that scene really resonated with me. I knew I had to sample it and exactly what kind of vibe the track needed. I went straight to the studio, and by the early hours, the bare bones of the track were done. Over the following weeks, I worked on developing it, but ultimately, I stripped it back to how it sounded in that first session: simple, powerful drums paired with a filthy, hypnotic bass groove. Sometimes, less is more. Learn More
The legendary Reading-based jungle label, Basement Records, has released two new remixes of Top Buzz’s 1993 bass-driven darkside anthem, made all the more meaningful following the tragic passing of TB (Jason Kaye) in 1993. The Swankout Legacy is the more distinctly junglist of the two, initially transforming the original’s relentless four-to-the-floor rhythm into a swirling Amen storm, layering stretched-out vocals and apocalyptic horns, before reintroducing the pounding 4/4 beat just as you thought it might have disappeared. The Swankout Legacy Vocal Mix, however, adds a hefty dose of reggae to the heavy, dancefloor-dominating hardcore beats, with such intense results that you might think the United Nations should get involved. A fitting, fiery tribute.
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Foundation, the first ever collaboration I did with Kloke, finished in April 2020 & released on the first Meeting Of The Minds release a few months later. Probably one of my favourite collabs in the series & the main reason behind me starting this Meeting Of The Minds VIP series, because I had an idea of doing a VIP of it, in a slightly darker style than the original. Learn More
Eleuthera EP pulls listeners into a shadowy realm of pulsating electro and brooding atmospheres. Crafted by Dcast Dynamics (Shad T. Scott), this release under ISO-109EP channels the haunting isolation of the Eleuthera islands, with hypnotic rhythms and eerie soundscapes that echo the depths of the human psyche. Each track is a descent into an electric underworld, where energy and darkness entwine. Releasing mid-January 2025, this EP invites you to explore the unknown.
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Kirk Degiorgio is back on Neroli with a follow up of his acclaimed 2023 ‘Robe Of Dreams’ album. In this new record, aptly entitled ‘The Statement’, Kirk widens the jazz/modern jazz palette and it almost feels like an extension of the previous one, but this time exploring more unbeaten paths. Free-jazz drums meet ambient pads, soaring vocal harmonies from Beauty Room vocalist Jinadu meet funky breakbeats, some channeling of classic Lonnie Liston Smith/Marcus Miller era jazz-funk all adds up to another feast of sonic delights from Degiorgio. Learn More
Annie Hall returns to Sheffield's Central Processing Unit label with an EP entitled Memories That Never Happened. This record represents the producer's third time on CPU after 2016's Tenured Positionsand 2020's Fum, and it is also the latest release in a busy couple of years for Annie Hall which have also seen her drop EPs on 20:20 Vision, Orson Records and Random Island. The momentum Annie Hall has built up in recent times carries through to a dynamic collection of productions which bring enough heft in the beats to keep the dancefloor happy while also including all manner of details in the production. Learn More
Following a first iteration which set the tone for our newly-minted Heimat series in explosive fashion, here comes the much anticipated second batch of our zeitgeistian take on today’s scene’s, its current potential and destination. Showcasing productions from artists keen to roll up their sleeves and sail into the impassible status quo, this new number packs the kind of red-hot hammering and cutting-edge punch we’ve been so adamant to push and defend over the past decade. Learn More