Search results for 'new order'

"Low-key R&B legend" Eddie Chacon returns with Lay Low, out January 31st. Having collaborated with John Carroll Kirby on his last two albums, Eddie Chacon teamed up with Nick Hakim to produce this new collection of songs of loving and letting go. Learn More

T4T LUV NRG returns with a new release from Rrose, an artist who has been broadcasting transmissions of esoteric minimalism to the worldwide underground for nearly three decades. Stretching across eras and intentionalities within their work, they invite listeners to inhabit unfamiliar realms of phenomena in the dance. Influenced by the surrealist whimsy of Marcel Duchamp & fellow provocateurs in the Dada movement; the artist as self, subject, and instrument is disassembled, embraced, & reassembled back again into an enticingly abstract form under the sonic melding of experiential sound & techno as the medium. Learn More

Italian duo USAW join Fusion Of Thought for 'Not A Reason EP'! The prolific duo has gradually carved out a position in the modern techno space with live-performances at Tresor and OHM, as well as outings on established labels such as Clergy, ARTS, OECUS and their own USAW label. On 'Not A Reason', USAW deliver a distinctive slice of techno: unrelenting and forceful, yet with a particular sense for melody and hooks. Seasoned producer and Clergy label founder Cleric joins the cause with a remix, transporting original 'Illogical Behavior' to a new dimension. Learn More

Conduct's focus is firmly on the juxtaposition between electronic and acoustic instrumentation, with a cinematic approach to composition influenced by the likes of Hans Zimmer and Jesper Kyd. Conduct strive to create an emotional response in the listener, aiming to create a timeless body of work. Learn More

Vels Trio reap their jazz-fusion crop with a stellar 11-track debut album ‘Celestial Greens’ on Rhythm Section International. Wandering through their versatile musical vision, the LP represents the amalgamation of London’s finest jazz players; Jack Stephenson-Oliver on keys (Poppy Ajudha), Dougal Taylor behind the drum kit (Emma-Jean Thackray) and Cameron Dawson on bass (Puma Blue). The end result: 40 minutes of high-fidelity worthy audio elation, destined for the album of year lists. Learn More

David Versace releases a conceptual masterpiece that traverses raw, organic concepts born in the moment and each of which represent his most refined and articulate work to date. For smooth jazz lovers, this is a must-cop with gorgeous sounds like 'You Really Mean It' and delightfully air and meandering space jazz cuts Learn More

Forest On Stasys takes the plunge here and launches a new label, Aura Sonora, which debuts with a hugely limited and high-quality new 12" from the boss. The imprint will be "a platform designed for sound experimentation" and the first missive backs that up with a great blend of drum & bass, half-time and techno. 'Magnetismo' is a prickly opener with slippery rhythms underpinned by bold bass. 'Domo' is a darker sound with menacing low ends and prickly percussive patterns while 'Sideral' is another late-night prowler with low sling sounds, eerie atmospheres and a real sense of futurism. A great start to life for Aura Sonora Learn More

As one half of Origin Unknown alongside Andy C, Ant Miles unearthed the original floppy Akai sample disks from 1993 and managed to load them back into his Akai sampler. His goal was to not only replicate the sound and vibe of the original A-side of RAMM004, but also to refine and enhance all its elements, including parts of the ‘Part 2 mix’ that was released later in ’93. Learn More

Floating Point and co's Melodies International label makes its first outing of 2022, and what a fine one it is too. It is a much needed reissue of two massive soul and disco gems by singer Al Johnson and Tom Fauntleroy, backed by a cover of the same tune by New York singer Tat Vega who had been active since the 60s and was big in musicals as well as singing to Berry Gordy's Motown. Her vision, a duet with George Curtis Camero, was actually released on her fourth solo album but now comes in handy 7" format for DJs. Learn More

New Jungle 4 tracker on Sub Code. Learn More

Originally released in 1997 as a CD-only compilation, Subbase Sampler is finally available on double vinyl for the first time ever! This iconic collection captures the energy and evolution of the jungle and drum & bass scene, featuring a heavyweight lineup of genre pioneers. Learn More

Dark Machine Funk is delighted to welcome the first guest producer into the fold, Head Front Panel. A huge source of inspiration to DMF since those highly sought after HFP 12”s hit the record store racks in 2014, Head Front Panel delivers a superb well rounded 4 track EP titled ‘Tactile’ for DMF’s 5th release. Learn More

Repress brings that proper, bouncy party Jungle vibe! The Wildlife collective is made up of Ed Solo, DJ Deekline, and Simon M. In 2009, they launched Jungle Cakes, a new label born from the collaboration between Ed Solo and Simon M. Deekline has worked with a whole host of heavyweights, including Tim Healey, Wizard, Ed Solo, DJ Assault, DJ Fresh, Stanton Warriors, Arthur Baker, Freestylers, and Fort Knox Five. He’s also teamed up with vocal talents like Ivory, Yolanda, Wiley, and Top Cat. Learn More

The Holy Chalice is a jungle label based out of Sheffield, started in 2019 and run by Alex Deadman of Junglist Alliance, a man whose knowledge of Sheffield is undeniable and has one of the strangest cars I've ever been in. So far, there's been two wicked releases on the label, both of them by The Chalice Crew, with the concept being that it's a shared anonymous alias, meaning that anyone whose music is signed to the label has their music released under The Chalice Crew alias, making it open to being absolutely anyone.. Learn More

A Strangely Isolated Place presents a long-lost collaboration between Polish artists Olga Wojciechowska and Tomasz Walkiewicz as Monoparts—a partnership formed many years ago that resulted in an album once destined to remain unreleased.n a dramatic departure, Olga unveils a new and unexpected side, debuting her haunting vocals—a delicate, spellbinding performance that recalls the golden era of trip-hop, and comparisons to the sounds pioneered by Tricky, Massive Attack, and Martina Topley-Bird. Learn More

Thrumming with conceptual aplomb, jazz mastermind and Ezra Collective co-founder Joe Armon-Jones's new album All The Quiet is finally revealed to us. Residua of jazz, funk, dub, hip hop and soul abound on the second chapter of a two-part Aquarii Records release, which Jones founded. Learn More

Kerrie (Don't Be Afraid / I Love Acid / Eastern Bloc Records) launches her own imprint. Dark Machine Funk has arrived, get strapped in, commence ignition sequence. This is straight up ridiculous! All 4 tracks bang. Metallic textures, subtle tweaks and percussion grooves for mind, soul and body. Essential Techno with nods to that classic "Detroit" sound and distinct Electro flavour within. Learn More

Curating and ordering the tracks for a Mr Bongo Record Club is always special. You’re reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other’s latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight. Learn More

‘Spaces‘ is Horikawa’s new album, following from 2013’s ‘Vapor‘ released via London-based label First Word. This time the album is released on Borrowed Scenery, a new label setup by Horikawa and close collaborator Daisuke Tanabe to enable them to operate free of constraints. The album features 11 songs that combine field recordings and sound design with a range of stylistic touch points: the fluid intricacies of hip-hop, the precise efficacy of IDM, the euphoric physicality of dance music, the humanity of acoustic instrumentation. Each song blends a primary sound source with a certain style, with titles often hinting at the origins of the sounds – “Moldy Vinyl,” “Vietnam,” “Fluid,” “Swashers,” “Nubia” – or the mood the music evokes. What ties it all together is Horikawa’ s deeply personal understanding of what constitutes music, an understanding shorn from the commercial and stylistic structures of music as a commodity. Learn More

Kokoroko, the London-based band, have released their brand new EP ‘Get The Message’. Conceptualised as a project to hold fans over until their forthcoming second studio album due next year, ‘Get The Message’ is a 4-track opus that positions the band in a more introspective and meditative space. Eschewing the brassy and exuberant sound of their previous work, the new EP notably beholds more of a minimalist slant. Learn More

2025 kicks off a new year with a new artist for Klasse Wrecks, it is with great pleasure we welcome Glasgow based DJ and producer Stevie Cox to our ranks. Stevie’s second full length release is one of deep cerebral breaks and evolving technicoloured techno, 4 tracks that surprisingly weave an already defined and recognisable sound from the young artist. Learn More

Massive jazzdance and UK bass fusions on the new e-glowup from Eglo (though the record is also released physically). Celebrating 15 years of the nominal "post-dubstep" label, this limited 12" EP hears four exclusive, unreleased tracks from an upcoming label-definer compilation, the third in a series. Born from the basement of Plastic People, the pressure has remained continuously on Eglo to keep the same foment of bass musical innovation that the club nurtured alive. Plastic People is a routinised object of nostalgia, and it is often deemed the last proper place for innovation in bass music before austerity Britain militated against it. Zed Bias's remix of Chunky's 'Dancing On Tables' with Metrodome - and the deep, bruk-inspired track, 'Minerals,' from Liverpool's rising star Sticky Dub - both prove this assessment totally wrong. Genius thrives. On the flip, we've also house legend Giles Smith (formerly of Secretsundaze) delivering fresh material, as well as label boss Alexander Nut making his official debut with the lo-fi electro house track 'Arcade Fun Pt. 1.' The full compilation, featuring artists like Shy One, Steve Spacek, and Fatima, drops in April. Learn More

Dutchman Boris Bunnik is a man of many moniker,s but here he returns as the electro-leaning Versalife with Parallax Effect PT.2, the second and final chapter in his series, which pushes his rhythmic vision into more elastic, unpredictable terrain. Shifting from the precision of PT.1, this release coils low-end pressure and restless sequences around percussive frameworks that flicker between tension and release. Each track feels alive-mechanically structured yet pulsing with organic energy unfolding in real time. The balance of restraint and propulsion gives the EP a kinetic, suspenseful edge which means that PT.2 doesn't just follow its predecessor; it refracts it, bending the narrative into new shapes. Learn More

Scottish producer Milton Jackson returns to Freerange with four club-rooted collaborations that bridge Glasgow's punch with Detroit's finesse. It's a new release that brings Brian Kage on co-production and mastering, HazMat Live on synth duties, and Jon Dixon supplying characteristically sharp keys i and the results are as warm and robust as you'd expect. 'Fire Emoji' opens with a stripped-down, pressure-cooked club tool: all booming low-end, echoing vocal wisps and crisp arrangement. 'The Sunsetters' is the emotional peak, built around a fluid synth solo from HazMat Live and buoyed by plush pads and 909 accents. On the flip, 'Wanna C U' nods to both sides of the Atlantic, fusing US house depth with the swing and snap of UKG. 'The Shine', featuring Jon Dixon, is the most musically rich of the lot i gliding chords, broken grooves and cosmic jazz touches make it a standout closer. Rooted in deep house but flexible in feel, these tracks feel fully lived-in: tactile, soulful and beautifully engineered. Four cuts that do damage without shouting i a smooth burner from a seasoned crew. Learn More

the new instalment on doma music is a EB Treat. Four tracks that showcase the Parisian producer’s ability to switch styles and tempo while keeping a very unified audio signature.This new batch showcases the producer’s ability to switch styles and tempo, while keeping a very unified audio signature. Learn More

Polish artist Satl is one of the most diverse and prolific artists to break through in the Drum & Bass realm in the last decade. After a multitude of music on Amsterdam label The North Quarter he is now set to release his most ambitious and eclectic project: Gloom. This is a project that sees a more mature artist, one that has developed and refined his sound. I Learn More

Renowned New York City house music icon Joaquin Joe Claussell has embarked on an electrifying project of ecstatic, spiritual club music with his latest endeavor: a double album worth of reinterpretations of the music from Italian jazz master Nicola Conte's 2023 album Umoja. Learn More

pianist/composer Aidan Shepherd and drummer Tim Carnegie - were invited to Mykonos as part of a collaboration between Maera Music and 22a, which allowed the band to spend a few days writing and recording some new music. It was an opportunity for the quartet to spend some time together in a secluded hillside villa without any distractions and ultimately kick start the writing process for a long overdue album. The first two singles taken from the album were recorded at Maera Villas in their Secret World studio. Learn More

DJ Sotofett is one of those producers who operates on his own plane. His sounds are like no other, his ideas are weird and wonderful and his execution is always exceptional. He is a producer who does things in his own playful way and that bears out on this new 12-track album. It's couched in electro with 80s Nintendo console vibes and a fusion of analogue and digital synthesis that makes for a jubilant celebration. Along the way, things shift from acid-infected beats and catchy electronic pop to avant-garde electro cuts. Vital stuff. Learn More

Flowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both. Learn More

Dom of Dom & Roland, (Roland being a machine), has been a drum and bass visionary since the mid 90’s. He remains the only solo artist to have had award-winning albums on both Metalheadz and Moving Shadow. Dom released his ninth album on Overshadow earlier this year. His collaborations range far and wide and have included the likes of Optical, Amon Tobin, and more recently Noisia. Internationally acclaimed for both his records and performance, his epic brand of music has attracted other pioneers along the way, Art of Noise, David Bowie, Laurent Garnier, Goldie, and Clyde Stubblefield, are just a few of the many loyal fans he has collected over the last 30 years. He still travels the world, is not slowing down, and continues to evolve his music to this day. “Individual” is his new label. Its purpose, in his own words, is “to celebrate the uniqueness and character of individuals or artists, who stand apart from others of the same” Learn More