Search results for 'chase and status'

Barna mainstay oma totem is dishing out the cerebral and dubby like it’s nobody’s business. 3 tripped-out accelerators courtesy of the Oyster Cult debutant, complete with an OK EG rework for good measure. Learn More

The second release on Afalinas sees Olekhar channeling house textures through tech-funk rhythms, accented by acid and electro influences. A fresh take for the dancefloor. Learn More

Like his Windy City compatriots Mark Grusane and Rahan, Cratebug specialises in high-grade, razor-and-tape style re-edits subtly re-framed for 21st century dancefloors. The Chicagoan has released many fine collections of reworks over the last decade and this two-tracker is another high-grade treat. Up first is 'Fiyah', a heavyweight tease-and-release loop jam built around low-slung disco grooves, layered vocal samples and subtle effects trickery. While he appears not to have add any beats, its' Soundstream-esque construction makes it perfectly suited to house dancefloors. Over on the flip, he gives his take on one of the most beloved disco classics of all time: Diana Ross's incredible 'Love Hangover'. He extends the upbeat sections, paying more attention to hear vocalisations, the infectious instrumentation and killer groove. Learn More

Thousand Yard Stare is re:ni's 3rd 12" and her first on re:lax, the label and club-night she runs with Laksa. Following on from Harba, Jurango and Laksa, the EP stays true to the imprint's exploration of emotive high-tempo club records which marry the character and energy of the hardcore continuum with technical precision and slick sound design. Learn More

Morning Stone is Pacific nostalgia. Now based in Mohkintsis territory on the Eastern side of the Rocky Mountains, Benoit Guimond, under his moniker Angel Science, draws us into his early life in Vancouver. That coast is still home, and his conifer-covered memories have been shaped into the organic textures of this record. Waving filtrations, archival recordings, rewinding spins and ethereal pads signal a return to the stones, sand and organic beach drift of the Pacific Northwest. Environmental rhythm and free-flowing flourishes reveal a musician in the core of his memory, at the forefront of an ever-evolving sonic journey. Learn More

This five-track remix collection weaves together deep bass-driven soundscapes with intricate, emotive detail. The opening track, 'Patient,' merges euphoric melodies with a stunning fusion of bass music and orchestral beauty. Next, Ehua's remix of 'Hold Me A Bit Longer' brings a burst of energy with broken beats, jittery keyboard edits, and a fragmented rhythm that's impossible to ignore. Sinistarr's take on 'Divinity' offers a lush, atmospheric journey, filled with ambient textures that captivate the listener. On Side 2, Synkro, an R&S favourite, reimagines 'Birth' as a downtempo piece, balancing deep bass growls with ethereal vocals and delicate piano flourishes. Finally, the collection closes with Itoa’s remix of 'Prayer,' which builds a slow, hypnotic groove, blending techno elements with inventive twists for a truly captivating sonic experience. Learn More

Italian duo USAW join Fusion Of Thought for 'Not A Reason EP'! The prolific duo has gradually carved out a position in the modern techno space with live-performances at Tresor and OHM, as well as outings on established labels such as Clergy, ARTS, OECUS and their own USAW label. On 'Not A Reason', USAW deliver a distinctive slice of techno: unrelenting and forceful, yet with a particular sense for melody and hooks. Seasoned producer and Clergy label founder Cleric joins the cause with a remix, transporting original 'Illogical Behavior' to a new dimension. Learn More

Space Drum Meditation is back with a reissue of Four Tusks, a 12-track odyssey of dreaded sonics and trepidatious treks through augmented wildernesses. Their debut album and seventh reissue on the eponymous label, the duo of Eddie Ness and Liem were once fixtures of the house musical landscape at large, yet only with SDM did they turn their hands to demurer experimental soundscapes, informed by the "tribal" gloom and etherics of an electro-auxed rainforest. Throughout Four Tusks, we hear the sleeker, pantherine side of their catalogue, with ritualistic drumming heard well-melded into many a grim, cowled and rattling texture, all glued by the faint but here still oppressive sound of rain, not to mention vapour steaming off the megaphylls. Learn More

Gemini's In Neutral has long been considered a classic of the second wave of Chicago deep house. It was well-loved by aficionados upon its original release in 1997, though it didn’t achieve the broader recognition it deserved at the time. Since then, it’s been hard to find on vinyl—unless you're willing to pay the inflated prices online. That's why this licensed reissue from ChiWax is a welcome treat. In Neutral is still widely regarded as Gemini's finest work, blending pounding, hypnotic Detroit techno-inspired deep house tracks with some deeper, jazz-infused downtempo moments (such as "Ahi"). The album also includes a stellar piece of early Chicago "boompty" with the standout track "?" Learn More

Back by popular demand, a limited run of t-shirts featuring the Tribe-inspired logo for the Air Adam "Manchester Marauders" Manchester Hip-Hop photo exhibition! Learn More

93 'Til Infinity" is a seminal track by Souls of Mischief, originally released in 1993 as part of their debut album of the same name. This 7" vinyl edition features the original LP version of the song, which is renowned for its mellow, soulful production and sophisticated wordplay. The track is built around a sample from Billy Cobham's "Heather," showcasing the group's inventive approach to blending jazz influences with hip-hop. This release marks the first time the original album version has been available on 7" vinyl, making it a must-have for collectors and fans alike Learn More

Dom & Roland, the legend is at it again on Over Shadow Records. Learn More

Liner Notes by Marcus J. Moore: Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld. Learn More

Tenderlonious enters fresh album territory with his latest offering entitled, ‘You Know I Care’. Having released several solo projects, numerous collaborations and a series of LP’s, EP’s and singles with his band Ruby Rushton that centred on original compositions, he wanted to take a moment to focus his energy on exploring the classic jazz material that has inspired him over the years. Learn More

Finally after all those years, Dutch producer Peter Aarsman presents the re-issue of his iconic peak-time track called Entangled. Originally released on Deviate in 1995, this 13 minute techno trip caused mayhem on dancefloors across the world. Peter's love for early Detroit techno in can be heard in the beautiful Res*lute. Warm strings, deep basslines and a repetitive synth theme provide for a stunning track which was used by Carl Craig in his selection for the influential DJ Kicks series. Res*lute also comes in a rawer house remix by Frame Of Mind label head Gerd. Learn More

The official sales note and PR are fairly enigmatic and mysterious out of respect for the wishes of the artists, but it's fairly widely shared public knowledge that NRSB-11 is primarily a collaboration between Gerald Donald (Drexciya, Dooplereffekt, Arpanet, Japanese Telecom and many more) and DJ Stingray 313 (Urban Tribe, official tour DJ for Drexciya and acclaimed solo artist). Originally released as a limited edition in 2013 on Belgium's WéMè label, their sole album Commodified quickly went out-of-print and has been much sought after ever since - it's currently on 1,783 Discogs wants lists. For the initial reissue, we've produced a special transparent 2 x LP edition with the original album artwork screenprinted onto a PVC outer-sleeve, and two clear vinyl discs housed in transparent poly inner bags. This edition is limited to 2,000 copies worldwide and we don't expect them to stick around for long. There is also a standard CD edition containing 3 bonus tracks. If demand is there then we will follow up next year with a black vinyl 2LP in standard packaging. Learn More

While nowhere near his most celebrated work, 'I Need You' is undoubtedly one of sadly departed San Francisco disco star Sylvester's most potent dancefloor workouts - a typically driving mood-enhancing cover that transformed a gospel song into a soaring, surging, tops-off hymn to sexual desire. This reissue pairs the Harvey Fuqua-produced original 12" version (1980) with what appears to be a previously unreleased re-edit by Chicago house originator Ron Hardy. The latter's take is more rhythmically sturdy and lightly percussive, with vocal and full instrumental sections (often drenched in effects) sitting side by side with extended drum workouts. It's a fine alternative take of a disco record that should be in everyone's record collection. Learn More

We are very excited to share our 4th instalment in the form of a multi-artist EP from Ego-Free Sequences, rising new French talent Sqimer (also on mastering duties for this release) and label regular Darsk. Learn More

retty Sneaky is a mysterious project shrouded in anonymity, known mostly for its banana peel logo and a series of self-released white label 12" EPs. This latest release arrives via Marionette and features Marseille-based artist Norman Levy, aka Koldd, marking his third collaboration with the project. The result is a captivating blend of mellow tones, tranquil atmospheres, and delicate bird calls—music that unfolds in slow motion, perfect for quiet, reflective moments. We’re thoroughly enjoying it. Learn More

What started as an experiment, born in the stillness of the early months of 2020, Metalheadz and SB81 are proud to present ‘B292’. The largest body of music ever released by Metalheadz, ‘B292’ is made up of 29 tracks across 2 defined parts with a strong emphasis on old skool influences. It’s SB81’s experiences as a youth that give him a real understanding of this era, something that cannot be replicated and where authenticity always stands tall. Learn More

Astonishingly, 18 years has now passed since Gilles Aiken - probably more celebrated these days for his work under the alternate Desert Sky alias - first offered up off-kilter tech-house tracks as Edward. Last year, he impressed with a wonderfully deep and unctuous EP on deep house imprint Smallville; here, he makes his bow on another must-check label, Kalahari Oyster Cult. In keeping with the imprint's love of all things trippy and otherworldly, opener 'Tentacle' sees him wrap chiming lead lines, psychedelic synth motifs, weird noises and layers of percussion to a chunky, locked-in house groove. Aiken then goes off piste via a skewed, druggy and at times dreamy tech-house remix of Trybet's 'Moodsetter'. Arguably best of all though is impossible-to-pigeonhole flip-side 'Dr Octo', which is immersive, unsettling, tactile and eccentric in equal measure. Learn More

ZAUBERBERG – Wolfgang Voigt’s most fundamental (and foreboding) release under his alias GAS and perhaps of all in his untold discography – finally stands alone once again and is released in the way its original splendour. Learn More

Nico Lahs makes a triumphant comeback on Local Talk with a new release. After the split single with Tooli and his contribution for the 13 Years Later Compilation it's time for a full EP. Signals In Outer Space is yet another testament of Nico Lahs' ability to make house that doesn't belong to one style but rather cross several different ones with creativity and confidence. Those who favour the slower and more gritty house are in luck, this release got exactly that. Learn More

Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable. Learn More

Thrumming with conceptual aplomb, jazz mastermind and Ezra Collective co-founder Joe Armon-Jones's new album All The Quiet is finally revealed to us. Residua of jazz, funk, dub, hip hop and soul abound on the second chapter of a two-part Aquarii Records release, which Jones founded. Learn More

First Word Records areproud to present a new double-AA sided collaboration from [ K S R ] and Konny Kon (Children of Zeus) - 'Part of the Plan / Faded from the Jump', available on 7" vinyl and digital. Two of Manchester's finest r&b ambassadors, the duo team up for two tracks displaying very different styles of soul music. Learn More

This album has been many years in the making. We wrote a lot of our own material, but we never properly recorded it in a studio, we did however make lots of "one mic" recordings onto a mini-disk player. Tom kept hold of all of these recordings and in 2011 send copies of everything to the rest of the band. Learn More

4 European beat makers @Dexplorist @Carlskee @Funkychild @Chilla Ninja come together as a beat collective to present volume 1 of their SKWR beat collective. 16 tracks of instrumental hip hop. Influenced by golden era hip hop and packaged in a tribute to classic library records. Learn More

Rat Life welcomes back Leibniz for the label's 23rd release! This 12inch piece of wax is jam packed with five grimy techno mantras, each one proofing once again that the highest level of mastery is simplicity. Most information is irrelevant and most effort is wasted, but only Leibniz knows what to ignore. Learn More

Anyone that knows what I like and has been following Future Retro London over the years will know that I'm an avid supporter of Ricky Force's music. Having had him on the label in all the ways possible (a solo tune, a remix & a collab), I think it's fair to say that I'm a huge fan of what he does. Learn More

The Highly anticipated Shush EP is the debut vinyl release for Surkul, San Francisco based DJ Producer rooted in left-field leaning breakbeat hardcore, jungle and drum & bass. Learn More

This is The Last Poets' 50th anniversary year, and they've celebrated it with an album that matters - not just musically, but as a record of the times we're living in. The Last Poets are weathervanes, warning of the future and past sins in poems that are indivisible from the rhythms they're voiced on. Think warriors reporting from the battlefield; but their work is also a test of our own courage, because are you ready to receive what they're saying? And is your heart clean and strong enough to withstand the truth? Learn More

Timeless is regularly cited as one of the greatest dance music albums ever made., a Dark Side of the Moon for the rave generation. As Mixmag said back in 1995 "Timeless is a record that couldn’t have been made if it wasn’t for the party, the MDMA, the noise and the rage. Timeless tells you that you can’t ignore or erase this history because to Goldie, and to so many others, it holds their lives, dreams and feelings." Learn More

The Birgan project is all about melding diverse musical words - ambient, techno and Afro-inspired polyrhythms - into something that is utterly unique. Many artists set out with this intention but few achieve it as successfully as this one, as this sensational EP shows. It is an immersive and escapist five-track work of stunning sound designs and inventive rhythm that feels both organic and natural yet synthetic and futuristic. The tracks explore deep, mysterious sonic landscapes that are both tranquil yet complex and make for an immersive, thought-provoking listen from the dubscapes of 'Beats Of The Congo Cosmos' to the more psychedelic realms of 'Subaquatic Sonic Voyage'. Learn More

As an artist, Jack Stevens aka Sully keeps music lovers guessing with the many twists and turns of his discography. But throughout, from his early works in the 140 bpm region right up to his current Jungle offerings, one thing stays the same: A disciplined example of restraint. There’s never too much and every element is there for a reason. Stevens’ work is sparse, but not empty. Calculated, but not without soul. He is also an experienced DJ having recorded mixes for Clash, Fact and Boiler Room and in recent months has been hosting a show on Radar Radio with Klaar and Sim Hutchins as ‘Body Count’ and true to form the show Learn More

Deep don Pablo Bolivar is back to explore the murky waters that exist way below the surface on Seven Villas, this time with Celestial Sphere alongside for the trip. 'Context' opens with swirling celestial pads, traintrack-like grooves and plenty of vinyl crackle while 'Second' is a super slow motion and utterly sparse world with the most wispy pad and occasional hit sketching out the vibe and rhythm. 'Good Deal' twinkles with a little more light and hope in the melodies that break the surface as dusty drums and dub bass cocoon you from below. 'What Is Value' is a masterful ten-minute closer for utter catharsis. Learn More

Dark Machine Funk is delighted to welcome the first guest producer into the fold, Head Front Panel. A huge source of inspiration to DMF since those highly sought after HFP 12”s hit the record store racks in 2014, Head Front Panel delivers a superb well rounded 4 track EP titled ‘Tactile’ for DMF’s 5th release. Learn More

It says a lot about the interconnectedness of the global dubwise underground that it took downtime with Bristolian Neek in Portland to spur the link between ZamZam and Feel Free Hi Fi out of the Minneapolis Twin Cities. Once he put us on to them we were hooked- not only by their brilliant music but by their rigorously DIY approach and aesthetic. Heavily inspired by the more esoteric angles of early digi-era JA dancehall and UK dub (Shaka, Disciples, Mixman and Gussie P being some touchstones) the duo create a sound both reverential and unique, steeped in the traditions but striking out hard left into idiosyncratic territory all their own. Releasing all of their works up to this point on their own fantastic Digital Sting label, we’re excited to showcase them on ZamZam. Learn More

‘Spaces‘ is Horikawa’s new album, following from 2013’s ‘Vapor‘ released via London-based label First Word. This time the album is released on Borrowed Scenery, a new label setup by Horikawa and close collaborator Daisuke Tanabe to enable them to operate free of constraints. The album features 11 songs that combine field recordings and sound design with a range of stylistic touch points: the fluid intricacies of hip-hop, the precise efficacy of IDM, the euphoric physicality of dance music, the humanity of acoustic instrumentation. Each song blends a primary sound source with a certain style, with titles often hinting at the origins of the sounds – “Moldy Vinyl,” “Vietnam,” “Fluid,” “Swashers,” “Nubia” – or the mood the music evokes. What ties it all together is Horikawa’ s deeply personal understanding of what constitutes music, an understanding shorn from the commercial and stylistic structures of music as a commodity. Learn More

After a wild Hyperdub stopoff shared with Tim Reaper, Kloke (Andy Donnelly) now goes solo. Described as a case of "jungle vitality" by the releasing label, this is an artist playing Mindgames: 'Supernatural' and 'Rorschach' ascribe silkiness and scratchiness to the drum & bass shellout shape respectively, proving the breadth of this guy's sound. An essential emphasis on memory is invoked, with its yearning cry poking through skeletal mixes, and otherwise oppressive sci-fi sound design. 'All Worlds' is the closing experiment, where water-falling, melodi-cascades sizzle over and about pocket-sized, but still huge beat-punches. Learn More

West London’s Kessoncoda are the duo of drummer Tom Sunney and keyboardist Filip Sowa. Standing firm between acoustic tradition and electronica, Kessoncoda is founded on a unique blend of melodic ostinato-laced piano and unwavering drums. Learn More

Khadim is a stunning reconfiguration of the Ndagga Rhythm Force sound. The instrumentation is radically pared down. The guitar is gone; the concatenation of sabars; the drum-kit. Each of the four tracks hones in on just one or two drummers; otherwise the sole recorded element is the singing; everything else is programmed. Synths are dialogically locked into the drumming. Tellingly, Ernestus has reached for his beloved Prophet-5, a signature go-to since Basic Channel days, thirty years ago. Texturally, the sound is more dubwise; prickling with effects. There is a new spaciousness, announced at the start by the ambient sounds of Dakar street-life. At the microphone, Mbene Diatta Seck revels in this new openness: mbalax diva, she feelingly turns each of the four songs into a discrete dramatic episode, using different sets of rhetorical techniques. The music throughout is taut, grooving, complex, like before; but more volatile, intuitive and reaching, with turbulent emotional and spiritual expressivity. Learn More

Patcool was recorded alongside DOO411 in 2017 at our first studio in pre-A.I. mile ex. The original self-review accompanying the email with the track ("i think it's engaging enough to fuk wit") proved to be true over the years, and we have kept the track frozen and perfectly preserved so that it didn't get old. Learn More

Dutch producer David Vunk makes a powerful return to his Moustache label with the Backdoor EP, a fierce blend of electro, EBM, acid, and techno, delivered with raw bunker energy. The 12" is packed with gritty, all-analog tracks like the pounding “Purple Light,” the brighter, melodic banger “K2,” and the murky, twisted “Tornado Acid.” “Stop the Insanity” stands out with its twitchy toms, rattling drum machines, and glowing synth layers—all crafted in Vunk’s basement studio by the harbor and polished by none other than Alden Tyrell. These tracks are built to hit hard, but they're laced with narrative depth and emotional detail. Learn More