Dub

.VRIL’s first EP for Kynant Records explores his trademark style of euphoric dub techno, whilst also diving deeper with spoken-word pieces in collaboration with two critical thinkers in the world of soundsystem culture and experimental music: Edward George and Isis Semaj-Hall AKA Riddim Writer. Acclaimed Dutch techno artist Steve Rachmad also dons his Parallel 9 alias for a remix. Learn More

One of the two The Other People Place releases (the Warp full length and this 12). Drexciyan involvement in this classic release is obvious. One of the deepest and intense tracks with such a warm positive vibe. Flipside contains a track by Mystic Tribe. (not very mystical of course for those who know the history of Detroit techno. Unique track from a unique project... and there are not many projects with Tribe in its name. Their release on Retroactive is one Detroit techno collector items). One of those records that get you through the day. Learn More

Enhancer Dub EP includes 4 tracks playing carefully with elements of Afrobeat, Dub & Techno. As a rare groove connoisseur and vinyl collector, Didier dlb has been delving into essential wax for almost 3 decades, navigating the underground music scene with a disregard for genre boundaries. Forget marketing hype – this is about the scientific exploration of sound, and an existential love for rave culture. In 1999, armed with a basic setup featuring an Atari, Akai MPC 2000, Yamaha DX, and Korg 770, he ventured into music production. No flashy equipment, just a raw passion for sonic experimentation and analog sound. As a result, releases on Sonar Kollektiv, Get Physical, Klasse Recordings & Rotary Cocktail followed. Didier dlb's undying dedication to exploration is reflected in his collaborations, residencies, and releases. He doesn't chase the limelight, instead immersing himself in the science of sound, shaping his own sonic universe. This is the story of an artist who has been shaping the underground landscape with a commitment to the art form. Learn More

Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable. Learn More

Fast paced Dub Techno at its finest. Learn More

Four riveting, deeply grooving digital-dub productions for his own Ujama label by the great deejay Prince Jazzbo. Widely celebrated for such toasts as 'Imperial I', 'Mr Harry Skank' and 'Natty Passing Through Rome' for the likes of Coxsone Dodd and Glen Brown. Learn More

Originally brought to light in 2014 by 'EKMAN' Aka. WILL BANKHEAD, Entropy receives a sought afrer repress. Admittedly on the darker side of the Techno realm.. The bass drums on side A feel almost industrial-esque, accompanied by crispy 808 machine patterns, topped off with great synth+fx work. On the flip side, we recieve more of an Electro-acid trip with some off kelter patterns and squelchy basslines beneath extra-terrestrial pads. Learn More

Moritz’s deep Berlin steppers discloses dubwise traces of our original Lagos recording — the percussion of Yinka Ogunye, the singing of fifties palmwine legend Rolling Dollar, Oscar Olimbi’s guitar lick — in with his own warm Oberheim voicings, additional drumming, and cool-and-deadly rhythm track. It’s a tough, masterly dance record in fine Rhythm And Sound style (evoking vintage House, too) — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. Like a stepping razor, but t-u-m-p-i-n. Learn More

Not a nowadays-style remix, more an extended mix in the classical tradition headed by Tom Moulton, back in the days when Francois Kevorkian was his teaboy, and there was a cupboard in his office stuffed with Studio One master-tapes. This record brings to Afrobeat the dubwise intelligence of the discomix. It’s beautifully crafted, irresistibly grooving, heavy. Learn More

One sided reissue feat. Rhythm & Sound dub version. The best! Learn More