Search results for 'record store day'

Archivio is a brand new label from a Brooklyn based record store. Affie Ysusf and Parkwalker are the artists charged with starting off this new chapter. Ysusf goes first with 'Uba Cuba' which is a Latin-infused house sound with plenty of layers of drums and lively grooves appearing through the percussion. Parkwalker's 'Pashtwo' then keeps it deep and stripped back but with plenty of style in the deft synth details and on the flip offers the loopy, dubby, airy jam 'Urgez Untold'. Ysusf then closes down what is a fine first EP from this new label with the fresh house grooves of 'Ode Reticular.' Learn More

A Strangely Isolated Place presents a long-lost collaboration between Polish artists Olga Wojciechowska and Tomasz Walkiewicz as Monoparts—a partnership formed many years ago that resulted in an album once destined to remain unreleased.n a dramatic departure, Olga unveils a new and unexpected side, debuting her haunting vocals—a delicate, spellbinding performance that recalls the golden era of trip-hop, and comparisons to the sounds pioneered by Tricky, Massive Attack, and Martina Topley-Bird. Learn More

To celebrate 30 years since the launch of his now-iconic Environ label, Morgan Geist is revisiting where it all began—reissuing the long out-of-print debut 12", a solo EP that marked just his second release. At this early stage, Geist had yet to fully embrace the disco-infused, synth-rich sound he’s now synonymous with. Instead, the record finds him exploring the celestial edges of Detroit-inspired techno and jacking, spacey house. Learn More

Issue Two of SEEN focuses on decolonising electronic music and features photography from Alina Akbar and writing from Iyunoluwanimi Yemi-Shodimu, Amelia Fearon, Dhruva Balram, Jessica Rogers, Jad Ghazali, Dr Zakiya Mckenzie, Sashwati Mira Sengupta and Stephanie Ewurama (aka SCAPA). Articles include a project linking Mancunian and Palestinian artists, an interview with AFRODEUTSCHE, the ethics of sampling and a reggae orchestra led by a visually impaired Jamaican. Long reads include a look at a Ghanaian festival, a thinkpiece on solidarity and protest sounds in South Asia and the diaspora and the role of social media platforms in framing beauty standards in electronic music. A review of our panel at WOMEX in October 2024 is featured too. For the launch contributors Amelia Fearon, Jessica Rogers, Sashwati Mira Sengupta and Iyunoluwanimi Yemi-Shodimu will be in conversation with the SEEN founders, exploring the themes of the latest issue. The night will feature a DJ set from Taxi Cab Industries (who also designed the issue) with the magazine on sale to the public. No tickets are required for the launch at 7:30pm. Learn More

Francois Kevorkian is a name that needs no introduction. With a career spanning over four decades, FK has worn many hats—drummer, DJ, A&R exec, remixer, and producer—each showcasing his boundless talent. From the early days of New York’s club scene, sharing booths with pioneers like Walter Gibbons and Larry Levan, Kevorkian has been a central figure since day one. His years spent in the city’s most iconic nightspots sharpened his musical instincts, eventually landing him a role as A&R at the legendary Prelude Records in the early ‘80s. That move opened doors to collaborations with a who’s who of music royalty—The Eurythmics, Depeche Mode, Erasure, D-Train, Yazoo, The Smiths, Kraftwerk, and countless others. A true NYC original, Kevorkian remains active to this day, and the respect he commands within the industry is as strong as ever. His genre-defying DJ sets, groundbreaking remixes, and ever-curious musical ear have solidified his status as a true pioneer. Learn More

Hard Times taps Alex Arnout's Black Logic for a release that feels like a natural extension of the label's deep house legacy. Having spent his formative years on Hard Times the club's dancefloor, Arnout channels that history into four tracks that blend jazz-flecked grooves with rich, soulful textures. The opener is a crisp, funk-laced roller, its bassline locked into a groove that nods to the genre's 90s heyday. 'Back 2 Where We Were' takes a more introspective turn, its warm melodies and fluid percussion creating a late-night haze. 'Blackman' sees Beckford deliver a stirring vocal, weaving conscious lyricism into intricate instrumentation, while 'Jazz Mess' closes the set with free-flowing drums and improvisational energy. Learn More